Sarah Lightman presents the experience of the void from the perspective of a woman who also happens to be a successful cartoonist and a mother. Having just submitted her PhD thesis, Sarah explains how she balances the needs of her son, her artistic creativity, and her scholarly output.
It has been three months since I submitted my thesis, Dressing Eve and other Reparative Acts in Women’s Autobiographical Comics, to the University of Glasgow. Since then, my busyness has been tempered by the sense of a vacuum, or, rather, a space of gestation. And in this no-woman’s-land before graduation, I have a thesis written, but not published; submitted, but not viva-ed; and I am still a student, yet am not studying. But I also planned in advance for this time, with a long list of academic and non-academic projects: books to co-edit, journal articles to finish, a beginner’s yoga class to attend, contemporary galleries to visit, and a CD of children’s songs to record for our synagogue. I have done some teaching and I continue to work with Nicola Streeten, and others, on Laydeez Do Comics, the foremost comic forum in the UK now, with branches worldwide, and I host in my home an artist salon, Salon 16, for women artists. In addition, my home life makes continuous demands on me. I still have to make breakfast and a packed lunch for my three-year-old son, and keep ahead of all his plans for the upcoming term – football, ballet, and a flu injection. So, whilst the PhD was a project, a big, important, time-greedy self-development project, it was never my whole life, and its completion would not leave me bereft. Continue reading “Crossing the Void: The Constructive Wilderness that Is Post-Submission”