Olga Michael reviews Sarah Lightman’s recently published The Book of Sarah (2019), a brilliant graphic memoir about (“failed”) motherhood, family bonds, Jewishness, belonging and exclusion, trauma and survival, mental illness and healing.
Women’s autobiographical comics first emerged in the US counter-cultural underground scene with Aline Kominsky-Crumb’s work (see Chute 20-27). During the turn of the twenty-first century, we have witnessed a maturation of the genre through the circulation of such texts in book form, and their re-branding as women’s graphic memoirs. Alison Bechdel, Phoebe Gloeckner and Lynda Barry are three among many brilliant female cartoonists, whose works display each artist’s negotiation of issues like problematic intergenerational family relations, parental neglect, sexual and other forms of trauma, and the survival of such traumas. With her recently published graphic memoir, The Book of Sarah (2019), Sarah Lightman, a London-based comics artist and scholar, has established herself within this continuously expanding group of brilliant women cartoonists, whose valuable work can help readers better understand distinctly female experiences of (“failed”) motherhood, belonging and exclusion, trauma and survival, and mental illness and healing.Continue reading “Review of The Book of Sarah, by Sarah Lightman”